When
we play a midi file on the device keyboard, Software winamp, windows
media player, van Basco, or Sequencer Software as Sonar, Nuendo, etc.. almost sure we have used the Multi timbral facilities. so
often we use it, you must already understand what it is multi timbral,
this article just reminded again of our knowledge of it.
Broadly
speaking Technology Multi Tibral is contained in synhesizer / keyboard
or sound module, with this facility we can play a Midi file with many
instrument 16 or even 32 instrument at the same time / simultaneously. Of
each instrument is placed on each channel, and in each there is a
parameter such as the patch channelnya banks, volume, Pan, Reverb,
chorus, modulation, etc.. Individually we can provide a different setting. For
example channel 1, we set its bank patch Piano, Volume 94, -54 pan,
reveb 102, then channel 2 path his bank Bass, Volume 100, +20 pan,
reverb 20, both of the instrument, volume, etc. . Of all the 16/32 channel we can make different settings or parameters according to sound at will. setting the parameters contained in sequencernya
To learn more about the parameters contained in each channel before, let's look sequencer sonar images below:kampungmidi - multitimbral
nabhanirfani.com-multitimbral1
track 1-16. Each individual has a sound tracknya sndiri-alone module.
nabhanirfani.com-multitimbral2
Each parameter setting chanelnya have to adjust Volume, Pan, Velocity, depth and reveb chorus.
Synthesizer-modern
synthesizer that there are now many who have supported this technologi,
like: Korg Triton series, korg x5-D, Yamaha SO3, Roland. JV-35, Roland Juno G, and so forth. Software
synthesizer Adapaun shaped, such as: Media SampleTanks from IK,
Steinberg Halion, Steinberg Hipersonic, Vsamplers, Hypercanvas from
Edirol, TTS-1 (DXi plugin Congenital Sonar), and so forth. Not
to miss PC / Laptop with internal and external soundcard also has a
facility with a sound module Microsoft GS Wavetable SW Synth.
Without much is known even by the music industry itself, President Susilo Bambang Yudhoyono through the Minister for Trade Dr. Mari E. Pangestu
has been released since last year as well as a reference direction for
the development of creative economy in the homeland, one of which is
the development of the music industry. The
following, is being serialized in the Music Biz section, will be
reviewed in an effort to save the government's vision of the
destruction of the music industry and music industry for the future
better. - Rolling Stone -
Definition of the Music IndustryCreative
industries sub-sectors of the music is a creative activity associated
with the creation / composition, music performance, reproduction, and
distribution of sound recordings. Along
with the music industry is growing so fast, then the Standard
Classification of Field Indonesia 2005 (KBLI) need to be reviewed,
namely the separation of the field associated with reproduction of
recorded media distribution business, management, promotion
representation (agency) music, the service composer, songwriter
services and services of singers into a group of their own business field.
The value chain of the Music Industry SubsectorEach process in the music industry's main activities will involve some of the supporting industries. Value chain of the music industry and related industries in each of the value chain can be seen in the following figure:
Major labels are still a holder of an important role in Indonesia's music industry. But indie labels are also increasingly taken into account.
Dynamics of Indonesia's music industry is an interesting thing. Evolution is always happening in every industry value chain. Evolution
in the chain of creation makes it harder to determine a clear cutting
edge to distinguish different types of genre or genres of music. Increasingly assimilated a variety of musical genres. Assimilated
with the orchestral rock music, dangdut, or colored rock dangdut, the
orchestra carries the rock, and various other music formats. The entire flow of the music influence each other. No lag, music is also getting stuck homage to ethnic influence, enriching the world of Indonesian music.
Output in the chain of creation is a song. The parties that support the creation chain is certainly everything connected with the creation of a song. They
are the creators of the lyrics and songs, modifiers (arranger),
musicians (instruments and vocals), industrial instruments, music
software industry, to the music studios.
Output of the production chain is the song that is ready to be distributed. Activities in this chain is a process generally mixing, recording and reproduction. Format to be a cover song format cassettes, CDs, video (VCD / DVD), and digital format. Supports
needed in the production chain were: reproduction industry, industrial
tapes and CD / VCD / DVD blank, the music software industry, to the
support of talent management.
Evolution also occurs in the production chain. Music
formats evolved, starting from the phonograph (LPs), cassette and
video, CD / VCD / DVD to the digital format is getting stronger. Development of enabling technologies such evolutions towards the better.
In
komersialiasi chain, the songs are ready to be distributed is promoted
through print media (publishing and printing), and electronic media
(television, radio, internet). Festivals and competitions are also useful to promote, in addition to songs, as well as musicians.
Concert Tour is the most popular promotional mechanisms do. At present the concerts are no longer a place to promote the album. The concert has evolved into a major revenue source for the musicians. Due to various causes, including piracy, it is not easy to achieve record sales of the album's pretty good. Not many albums are able to achieve platinum sales record. As a result, the concert is a pretty attractive alternative as a source of income.
Distribution chain is still perceived profanity in the music industry Indonesia. The number of options for distribution channels do require a more complex arrangement. The evolution of the music industry felt the impact on distribution chains. Development of information technology enables the industry to perform distribution activities in various forms. Music stores for the distribution of physical formats (cassette and CD). While the digital format can be distributed via the internet music and ringback tones in mobile phones. Ringback tones is currently growing rapidly in Indonesia's music industry.Currently, there are two main factors that affect the structure of Indonesia's music industry. First is the rising of indie labels and the second, ICT technologies is rapidly increasing.
Indie label (indie usually means do it yourself) is increasingly growing as a substitute for a major label. Through
the mechanism of indie labels, musicians ego could be satisfied, not
many rules that must be compliance, business and administrative
processes that are not too complicated, do not be confused by a system
of royalties and piracy, and others. Concerts and selling concert album as a general mechanism to do. However, the indie labels and major labels are not always bersubtitusi. In various conditions, an indie label is also used as a ladder to a major label.
The rapid progress of ICT technology is the strongest determinant in the evolution of Indonesia's music industry. Since
Bill Gates has created the Windows operating system that enables
consumers to enjoy music on the computer, Linus Torvalds created the
Linux operating system that facilitates millions of new web site server
provider of digital content. Leonardo
Chiariglione of the Moving Picture Entertainment Group created one of
the most popular digital format to the MP3 music and MPEG for video,
and Steve Jobs created the iPod as an MP3 player first, then the
evolution of the music industry the world began, and had arrived in
Indonesia. Various
portal websites to mobile phones capture these opportunities and
provide a new color in the arena of world music and Indonesia.
However, the negative effects always come along with positive impacts. Indeed, piracy has been present before the emerging digital music format, on cassette and video cassette piracy. But the digital format makes piracy more rampant in Indonesia. Digital music formats allows the pirates to operate with better, cheaper, even more creative. Ari Lasso once said: "I have 16 versions of the album The Best of Ari Lasso. When I was touring in 30 cities the other day, I always buy a different version. It's called variety. Ari
Lasso & Friends, The Best of Ari Lasso, Ballad of Ari Lasso, Lasso
Ari Love Songs, Love and Life of Ari Lasso, Lasso Ari Balance Love,
Secret Mysteries Ari Ari Lasso to Lasso. Everything is pirated! "
So
no wonder piracy in the face of despair, a little brother Doan singing
poetry accompanied by guitar at the AMI Awards 2006: "We're pretty
excited, because now a lot of young bands that have sprung / bands that
emerged with a nice quality / with songs that are fun /
But do not like it when you go in the top song charts some of the radio
/ But do not like it if the songs you won some awards / Because you
will be plowed album / And it's silly bootleg album sold freely in
front of the police station! / Where officials
who should protect us as artists of the hijackers? / Where? / When we
sing "Happy Birthday To You" songwriter royalties will be enjoyed in
her old age / But it's in Amerikaaa / Do not imagine this album first
teman-temanku/Hari we
only sold a few copies / Because they have hijacked the next day our
album / And we just lost in thought in the old days, my friend. "Remarkably, the evolution of Indonesia's music industry is currently characterized yet at its peak. Estimated
to be the climax of evolution is changing the face of Indonesia's music
industry structure, while the Palapa Ring backbone broadband connection
for digital content, complete with a perfect, connecting all parts of
the archipelago.
Field of Business and Industry relating to the Music IndustryMusic
as an entertainment (entertainment) has close links with the various
fields of business and industry that are in the entertainment sector as
well. Included in this is the other creative industries sector to play media or music show, the television and radio. In
addition, the performing arts is another sector in the creative
industries are inextricably linked with music, where many of the
musical work used in performing arts. In discussions with several sources, many also argue that music is actually part of the performing arts.In
conjunction with other creative industries, the music industry is also
closely related to the lifestyle industry, in which involves the
printing and publishing industry with print media that contain or
review about music. In
addition, the lifestyle industry is closely related to the electronic
media industry (including television and radio above), food and
beverage industry (especially restaurants, cafà ©, bar and other places
where music dipertontokan or heard). The advertising industry is also very closely linked, especially with heavy use of music in a variety of advertising jingles.
TYPE OF WORK IN THE MUSIC INDUSTRYThis type of core work in the music industry can be categorized as a musician or musical artist. Musicians can be defined as playing or writing music. Musicians can be categorized based on its role in creating or in musical performances, namely:A. Instrumentalist, who plays a musical instrument.2. Singer / vocalist, uses his voice as an instrument.3. Composers,
is the individual who creates music, usually in the form of notations
which will then be interpreted and performed by musicians.4. Arrangers, are individuals who make the music arranger. Arrangement can be defined as the rewriting of existing music with additional material. American
Federation of Musicians defines the arrangement (arranging) the music
as an art of preparing and adapting an existing musical composition to
present it differently from its original form. Composing
music includes reharmonization, paraphrasing, and musical compositions
or develop it themselves, so as to present the melodies, harmonies and
new rhythmic structure. (Corozine
2002, p.3) composing (arranging) in contrast to the orchestration
(orchestration), where the orchestration is simply adapting music for
an orchestra or musical ensemble, arranging "includes the addition of
the composition techniques, such as additional to the introduction,
transition, modulation and the end of a musical. "is the art of composing melodies to create variations on existing music.5. Songwriters,
is a profession that writing song lyrics or compose music and melody of
a song, or do both; the lyrics and composition.6. Improviser
is the profession that creates awareness of the musicians in his
musical activities, in order to have a deep understanding of a moment,
even as if it was in those moments, so as to produce quality music that
perfectly.7. Orchestrator, is a professional who leads an ensemble insrumental. This profession is required when the music played by various types of musical instruments. Make
every tone and sound produced by each instrument are complementary and
synergistic to the perfection of music, is the responsibility of an
orchestrator.8. Conductor, is a professional who leads an ensemble music through body movement cues, especially movement of the hand. Often a conductor also functions as orchestrator, the lead singer and musical instruments at once.9. In
addition to the above professions, there are some supporters of the
music industry professions, such as: sound engineer, interpreter
lights, makeup artist, fashion stylist stage, arranger, and artist
managers.
CONDITION OF MUSIC INDUSTRY ANALYSISA. The foundation of human resources (People)Condition
of human resources of Indonesia in the music industry has the potential
power of which can be a source of competitive advantage. Mainly due to high levels of creativity possessed by the personnel of the art music of Indonesia.Several important situations of human resources of Indonesia in the field of art music are:a. Indonesia is a creative music manIndonesia music human creativity is high, as evidenced by the level of productivity of their work. In
the midst of the problems that arise in the music industry, the
creation of music never stopped, even the work of these musical
creations have come to the international world.b. The number of fast-growing creative music manThe singer and new bands formed more and more, while senior bands singer still exist. The number of human creative music never stops growing in Indonesia.c. Potential of human creative potential of musicOne indication of that in enforcing these conditions is the number of event-event competition is increasingly prevalent today. Call
it in between: Indonesian Idol, AFI, Contest Dangdut, Rock Festival,
Dream Band, Competition Indosat ringback tones and many other event
that could potentially give birth to new musical beings are classy.d. Excellence in foreign festivalsGreat
potential can be empowered through the magnitude of the opportunity to
demonstrate progress to the foreign countries, including through the
festivals where musicians Indonesia demonstrated its superiority.e. Indonesia is increasingly recognized musicians in foreignOne
indication that Indonesia is increasingly recognized musicians in
foreign countries, in addition to victories in international
competitions, the Java Jazz Festival is held yearly routine is always
attended by leading jazz musicians in the world, collaborating with
local musicians. These activities make Indonesia more known musicians of the world.f. And vocal music school youth and children more and moreAlthough still concentrated in large cities, but the music school for youth and children, even adults growing in number.g. Professional musicians have become a very popular professionAspires
to be a musician for children and adolescents in the era of Indonesia
in the 1990s and earlier are generally challenged by parents. Earnings prospects are less convincing. But now the paradigm has changed. Parents
even encourage their children music lessons, music competitions
followed, until the top is a competition event in Supermama children
and their mothers. Music profession proved more promising.Surely there are some areas where the development so that the optimal output can be generated:a. Music education should be augmentedEducation for the musicians tend to be less. In this case, many of the self-taught musician was born.b. The need for music apresiatorIn
addition, the lack of music education not only to produce music
producer (musician, arranger, etc.) but also educational for the
audience (consumer) of music so that the people of Indonesia can be a
good apresiator.c. Underappreciated music teaching professionEye
view of the government of the importance of musical subjects, known
from the lack of music teachers in elementary and high school who has a
diploma of music, and little incentive for teachers of different music
with other subject teachers.d. Incompatibility formal music educationOn the other hand, many scholars in the field of music has no proper place to be creative. In general we can say there is a discrepancy in the field of music education that is publicly available.e. Traditional music less attentionIn
addition the government's attention to the perceived lack of
traditional music, because so far only used as a complement to
traditional music course tourism.
B. Pillar IndustriesConditions
in the human resource that is actually very conducive to the
flourishing of Indonesia's music industry has a variety of obstacles of
various aspects of the industry, especially in terms of government
policy, especially in taxation issues.High taxes plus tax this industry declinedPPH is too high for him to invent a musical show or concert.International taxation is high on the lyrics of the song that put on a foreign language (although the musicians Indonesia).In addition, the general attention of the government is still lacking for music in the form:Arrangement of the music industry's distribution channels weakLack of government attention in the industry, both in terms of appreciation and easiness to go international, evenLicensing for a concert or go to overseas competition was very toughLack of coverage or promotion of the country, though many Indonesian musicians who won competitions abroad.The
lack of infrastructure (infrastructure) or its own concert hall while
the use of government-owned infrastructure requires a very high cost.
In this case we can say that the pillars of the industry we still have the strength and strong competitiveness shown bya. Indonesia hosts the music in their own countryFrom
the demand side, domestic music market is also very appreciative of the
music of Indonesia, with 80% of the market share of music is the music
of Indonesia.b. Ethnic music is growing and accepted in the domestic marketGood ethnic music packed in contemporary concept or colors enrich existing music, and received a growing domestic market. Creative beings like Balawan, Viky Sianipar and others is the least of which is the driving motors of contemporary ethnic music.c. Ethnic music in foreign countries like IndonesiaAlso
of interest is the ability of Indonesian musicians incorporating
elements of traditional music / ethnic groups that make it preferable
not only in domestic market but also internationally.d. Indie label market growingMechanism of the more popular indie label more acceptable to the market. The indication is the number of spectators who packed the concerts are always an indie band. Stretching indie label market looks increasingly accepted in major cities, especially London.e. Wider variety of music distribution channelsNew pathways music industry is growing. Musicians and labels are no longer simply rely on an opinion piece from tapes and CDs are sold. Ringback
tones, advertising jingles, internet music downloads through the
increasingly popular use of the song as an opener, setting or theme
song of a film and soap operas. For
example, the potential for tremendous opportunities of RBT business and
other business model capitalized, internet and mobile phones will be
seen, if done benchmarks in Asia, where Indonesia was ranked fourth
after Japan, South Korea and China in the RBT market share.f. Confidence and readiness to compete with foreign musicThe
entry of foreign music is not viewed as a threat to Indonesia's music
industry, but it is an opportunity because a lot can be learned from
foreign musicians.g. Expansion of Indonesia to foreign music the better, especially Malaysia.At the same time, Indonesia music known abroad and even dominate in Malaysia.
How
can bands like Radja, ST12, Kangen Band, Wali, eyes, and other similar
bands could dominate the commercial music industry Indonesia? Yet
in terms of musicality, of course they are still below the bands that
came before them like Gigi, Naif, Dewa 19, Slank to nu-jazz band The
Essentials Maliq and qualified in terms of musical arrangements.
Storm so to speak Malay music is a musical phenomenon that is growing in our society. Our ears today are constantly overwhelmed by the 'same taste' of the band that carries the music lilting melayu nan.
"No one can be blamed in this case both the public and industry players. Since it became a natural thing if the people of Indonesia tend to prefer a mellow song, "said music analyst Denny Sakrie.
He said that is associated with the culture, people of Indonesia is a very sensitive and easily moved. No wonder the songs are among the big new kid called crossed-crossed this very salable in the market.
Of
course it is indisputable that the background music Malay comeback in
the market due to mental imitators that have been ingrained in the
people of Indonesia. "Where do when something is successful, no longer will appear pengekornya. Malay music is becoming a trend that can not be blamed, but which became controversial they all be uniform, "he said.
Something similar happened to the theme song. The
rise of the theme of infidelity which was appointed by Denny also an
evidence of the people of Indonesia have a trailing habit. It called him a stunted form of creativity.
Since the 1950sIf you trace the history, music mellow shades of Malay has become a trend in the country since the 1950s. In the first period of struggle, songs of struggle bernunsa romance was already filled with songs mendayu. Call it a pair of eyes track the ball and the creation of Ismail Marzuki Juwita Night. Meanwhile, the idea of being appointed to the lyrics of songs tailored to the theme that is becoming a trend in those days.
In the era of the 1970s nuances of Malay music morphed with the advent of bands like D'Lyod. Entered
the band in 1980-an invasion of Malaysia comes through the Search, add
a long list of modern Malay musical development in Indonesia followed
with his booming Climate band afterwards.
"Music
is like a cycle melayu, musical tastes and happens to our society is in
a period in which the Malay music in great demand," he said.
Rampant melayu trend makes a lot of people who generalize that as Indonesia's musical portraits. In fact if you want to open my eyes, there are many other music genres that are also growing. Only
Malay music genre that gets a positive response from the community so
as to encourage industry and the media, both television and radio to
meet market demands.
"A
lot of bands that nengusung other genres of music and have a very good
quality, but not massively exposed by the media and music industry
because they tend to follow market demand. And if the observed bands are very decent sale, "he said.
Malay
band phenomenon apparently also perceived as a 'threat' for established
bands in terms of music that cause unrest in the name of Indonesia to
withdraw the musical quality. "No need to fret, because bands like this there is a season," said Denny.
However,
this does not mean Malay music worthy of a discredited and regarded as
inferior music, because it all back again to the matter of taste.
Similarly,
Denny, Benny Pandjaitan, Panbers frontman who soared in the 1970s,
argued malay music that is shallow with a trend in the public ear more
to taste. "Yes, it is already part of our culture, which is included in the Malay family. Guns have to fret with the trend of music now, because that part of the culture, "said Benny.
Indeed,
continued Benny, just Malays now be explored, it is not impossible he
could be a sort of national identity that can be compared with other
countries, like Malaysia, Japan, China and others.
Deplore
theme benny enough affair that sounded a bit too rough so that the lead
is not very aesthetically pleasing when heard by all circles.
On
the other hand, Benny actually proud of the Indonesia-colored Malay
"Melayu is not a setback, I consider it a form pengapresiasian good,"
he said. So enjoy it, until the storm passed Malay
It is said that the first time in Multitrack Recording popularized by Les Paul (USA) in 1915. Based
on the era, was divided into two: analog and digital system, each has
advantages and disadvantages, but in the process, both about the same,
the difference is the use of the device. One
of the advantages of digital systems is simple, compact, time to be
efficient, and affordable, proven home recording were mushrooming
everywhere. Before
discussing further BASIC DIGITAL RECORDING llanjut, I will remind you
again, or stages of the recording process in the following order:
TrackingThe
process of recording drums, guitar, bass, keyboards, vocals, percussion
and so on, into separate tracks using Multitrack recording device.
EditingEliminate the click sounds, due to lack of proper cutting while tracking. eliminate
background noise, often occur in the vocal track and guitar track, this
could be because the wiring is less than perfect. Fixing the less vocal tune alias key. And the correction for voices that no other musical.
MixingBalancing on each track so that no sound instrument which overlap. Put the instrument on the left, center, right, a little to the middle or slightly to the side. Determine
which instruments are in front, which should be in the back, with loud
soft set volume, or the premises means to give effect delay.Pemberian
reverb or effects like Equalizer, Chorus, compressor, etc.. The most recent of this process is the rendering / capturing / mixdown to two tracks wav data.
MasteringMastering is the final stage of the recording process. Final processing of the stereo mix or Suround Sound. The
process includes the gain staging, equalization, Compressing, limiting,
maximizing, later to be in sound good on any audio player.
The software is often used in Digital Recording is:
Nuendo - More on tujukanuntuk Post Production, Film Scoring,Cubase - Many of life for Audio Recording, in use, this software gets finished second in voting vstclub.com FrutyLoopSonar
- Not complicated, not a lot of questions like nuendo or cubase, is the
favorite software for people who work-based midi (midi sequencer).Adobe Audition - Usually the radio people are using this software, to make their advertising spots.PROTOOL
- Hardware known stable due to the Software sold as a package, but in
its development, they work with M-audio, and out PROTOOL M-power
products.Studio One - Software newcomers, according to the manufacturer (PRESONUS), this software is more stable in the claims.Wavelab - Software for Mastering
Dangdut
is a genre familiar to the people of Indonesia, Dangdut is a very
populist music for the people of Indonesia since the time of the
founding of the country of Indonesia. Dangdut music rooted in the Malay music began developing in 1940's. Malay rhythm is very thick with elements of music from India and combined with the rhythm of Arabic music. Drum
wasp elements that are part of the elements of Indian music merged with
singer twisted elements and harmonization with the rhythm of the music
is a hallmark of Malay rhythm is the beginning of the mutation of the
Malay dangdut rhythm.
Along
with development of Indonesia Politics and Culture Music Malay Nation
also developed along with the development of the era, Malay rhythm into
a stream of contemporary music, which is a branch of art is affected bymodernization.
In the 1960's music began to be influenced by many Malay elements ranging from stringed instruments, gamelan, keroncong, style. And starting today is the term for Malay rhythm turning into a famous dangdut title. Jason
is a Onomatope designation or designations in accordance with sound
sound sound, the sound from the sound of a musical instrument or
commonly called Tabla drum. And
the sound of the drum is more dominated by noise and Dang Dut, since
that's changed sebutanya Malay rhythm into a stream of new music with
the rhythm of the more famous dangdut music.
At the time of Pre 1970's era is famous dangdut artists include: M. Mashabi, Husein Bawafie, Hasnah Tahar, Munif Bahaswan, Johana Satar, Indoku Kadam
At the time of the 1970 with prominent artists dangdut dangdut musicians, among others, A. Rafiq, Reynold Panggabean, Rhoma Irama, Elvy Sukaesih, Herlina Effendi, Mansyur S., Ida Laila, Mukhsin Alatas, Camelia Malik.
Dangdut
Era After the 1970's started a lot of musicians and artists danggdut
this, and this music started to socialize at all the people of
Indonesia, among others, Hamdan ATT, Meggy Zakaria, Vetty Vera, Nur
Halimah, Iis Dahlia, ikke Nurjanah, Itje Trisnawati, Evi Tamala, Dewi Persik, Christina, Cici Paramida, Insan Inul and many other dangdut music.
The
flow of dangdut music which is contemporary art continues to grow and
thrive, in the first rhythm Jason Synonymous with the Underclass Arts
Music and art is the flow of dangdut music is a reflection of the
aspirations of the lower-class communities that have a characteristic
kelugasan and its simplicity.
Due
to the nature of the contemporary in the early 1980s berintaraksi
dangdut music with other musical art flow, with inflows Pop, Rock and
Disco or House Music. In
addition to the inclusion of elements of Modern art Music Music dangdut
also began immiscible with the rhythm of traditional music such as
gamelan, Jaranan, Jaipongan and other traditional music.
So
in the days of 1990 began a new era again the dangdut music is heavily
influenced the rhythm of music Traditional Gamelan Music is Art of Java
the native culture in this period dangdut music began to assimilate
with the Arts Gamelan, and formed a new genre that is Camputsari or
dangdut dangdut Mix . Although more Original music dangdut still exist at that time.
In
the era of 2000's along with the saturation of the original dangdut the
beginning of this era musicians in East Java in the coastal areas
Pantura began developing a new type of dangdut music is art Music
Remix. Me
dangdut is a mutation of dangdut dangdut Era Mix after growing thick
and traditional rhythms with elements coupled with the influx of Art
Music Art Kendang kempul which is the music of the East Java Banyuwangi
and other traditional rhythms such as Jaranan and Gamelan. And
thanks to the creativity of the musician Jason Timuran Java is up to
date Dangduk Me Music that Identical with the Prancing style rocking
music singer and is now very famous and much loved by all the people of
Indonesia.
In
the era Music Remix Group is started to spur the growth of dangdut
music which is more known as OM or OM Orchestra Malay, among others. Sera, OM. Monata, OM Jackson, New Palapa OM, OM OM RGS and other smaller streams waving Music Remix in this archipelago.
And
now dangdut music has reached all the people of the lower-class and
middle-class samapai ataspun already addicted to this art dangdut
music. Until
dangdut music in the world was already penetrated the already rotating
Disco dangdut music as music is obligatory, and is no stranger to the
current Radio Station Many who call themselves as Radio Station dangdut
dangdut television stations even Indonesia, for the love of music
dangdut masayrakat with this rhythm.
Then it can not be denied this dangdut music rhythm can be proud to be the Original Music Indonesia. Original
Music and Jason finally has penetrated into the premises, among others,
the International World Music dangdut has been entered into the
Japanese state began infatuated with the regiment dangdut is the pride
we'll Original Indonesian dangdut music we loved it.
You got a problem that burdens the mind? Or, even have felt often forget about something? If yes, frequently listening to music or your favorite songs. Because, according to various studies, music can be soothing and even improve one's memory.
Therefore, music can be an effective means of therapy for people with various complaints. Moreover, if the music played is a gentle tone and favor with the listener, the music could lead to a relaxed or even cultivate the spirit.
One steeped in musical research for this therapy is an Institute for Music and Neurological Function in America. They found that the type of music therapy is very beneficial for people with Alzheimer's to remain calm and help improve their memory. Of course, for that is easy to forget, the present invention into a good news for the music that we hear everyday there are many benefits.
This is also corroborated by the use of music for therapy performed in a hospital in Chicago. Music therapy is applied there to calm the agitated or upset parents from their child's misbehavior is done.
Because of this enormous benefit, Cheryl Dileo, a professor of music therapy Philadelphia University, the U.S. said the music would help change the physical, psychological, social, and cognitive impairment patients. Therefore, highly recommend Cheryl music as a therapeutic tool because it is easy to do and liked by many people.
So, if you feel uncomfortable and too much of thought, why not play music for a while? Hopefully this will calm the simple way and make us more productive at work.
Disco is one of music for the dance that developed in the 1970s in the dance clubs of the United States. Disk
Jockey at dance clubs play a series of songs from the record without
interruption so that people can continue to dance without stopping. The
term is also used to show a disco, a room or building where the dance /
dancing to recorded music as a form of entertainment. Derived from the word disco Discotheque, French for dance clubs, [11] Indonesian: discos). At
the disco playing music used as background music dance. [12] The term
disco was originally used specifically for African-American dance
music. But in the 1970s, the term used to refer to any disco dance music that was popular. [11]
At the disco, the DJ plays a record specifically rhythmic soul and funk that's suitable for dancing. Having
often played in discos, the songs started to frequently played on radio
stations and sell them. [12] disco songs that became hits throughout
the 1970's including "Fly, Robin, Fly" (1975) and "Get
Up and Boogie" (1979) of Silver Convention, "Get Dancin '(1975) from
Disco-Tex and the Sex-O-Lettes," The Groove Line "and" Boogie Nights
"(1977) from Heatwave," I Love
the Nightlife "Alicia Bridges of" Brick House "(1977) of The
Commodores," I Will Survive "(1978) of Gloria Gaynor," Ring My Bell
"(1979) from Anita Ward," YMCA "(1978) from Village People, and "We Are Family" Sister Sledge from [13].Table of contents
* 1 History
o 1.1 Early births
o 1.2 The peak popularity
o 1.3 The success of Saturday Night Fever
o 1.4 Setbacks
* 2 References
* 3 External links
[Edit] History[Edit] Early birth
Disco
music born in the early 1970s, when the dancing had become obsolete and
rock music played by white musicians were victorious. [11] In
nightclubs and theaters in the north of England, as in the Blackpool
Mecca and Wigan Casino, visitors to the skin black
dance accompanied by a collection of rollicking R & B records from
the 1950's and 1960s, later known as northern soul music. [11]
Meanwhile,
in southern England, continental Europe, and gay communities there is a
tendency to return to pop music for the dance music influenced by black
people. [11] In the United States, young white people are fond of black
people's music not
released by major label based in New York and Los Angeles, but by
independent labels like TK Records of Miami, Philadelphia International
Records and All Platinum Records of New Jersey. [11]
Prior
to evolve as an artistic category that eventually includes the
following dance moves and fashion style haircut, a term used to disco
music a new context that pioneered the disc jockey in underground dance
clubs in New York City is visited mainly by the minority (African-American
and Latino), and gay. [14] This phenomenon stems from a combination of
artistic disco gays and underground clubs, gay clubs, especially
African-Americans in New York City in the late 1960s until the early
1970s. [14]
By using two record player, the DJ plays the songs that most of the
rhythmic soul, funk, and Latin from the record. [14] The DJ then began
to create an uninterrupted flow of music at dance parties held in
a nightclub, attic, and the bar following the style of DJ Francis
Grasso who worked at the disco gay Sanctuary, New York City. [14]
Dance
music LPs that became a hit in 1972 is the rhythmic funk song "Get on
the Good Foot" from James Brown and "I'll Be Around" from the vocal
group The Spinners a homage to R & B. The
first article about disco was written by Vince Aletti in September 1973
for Rolling Stone magazine. [15] [16] the first disco radio show
broadcast by WPIX-FM in New York City in 1974. [17]
In
1973, rhythmic funk songs became popular, for example: "Why Can not We
Live Together" from Timmy Thomas, "Superstition" and "Higher Ground"
from Stevie Wonder, and "Keep on Truckin '" from Eddie Kendricks. [11]
Nevertheless, the record industry is slow to realize the trend of new
music to the word "rock" began to be inserted in the names of the songs
that were created to be used disco. George
McCrae made a hit in 1974 with "Rock Your Baby" and Hues Corporation
put the song "Rock the Boat" in order of number-one Billboard Hot 100.
[11] Both marks the birth of dance music LPs are easy to receive all
the blessings rhythm not too fast and the melodies are easy to imitate the listener. [11][Edit] The peak popularity
Of
label TK Records, based in Miami, KC and the Sunshine Band leader Harry
Wayne Casey marks the culmination of golden disco with a series of hit
songs, "That's the Way (I Like It)", "Get Down Tonight" (1975), and (Shake,
Shake, Shake) Shake Your Booty "and" I'm Your Boogie Man "(1976). [11]
In 1976, Billboard magazine ranked hit songs enlivened the title used
the word" disco ", for example:" Disco Lady "Johnnie Taylor from" Disco Inferno "by The Trammps, and" Disco Duck "from Rick Dees & His Cast of Idiots. [18]
Characteristic
of disco songs are more concerned than the tempo of the singing make
such record producer Giorgio Moroder, Frank farian, Pete Bellotte, and
Mauro Malavasi participate as a creator of hit songs for dancing. [11]
Trends in producer creates disco held in conjunction with re- popular
singer veteran R & B / soul like Diana Ross with "Love Hangover"
(1976), Marvin Gaye with "Got to Give It Up" (1977), Johnnie Taylor
with "Disco Lady", Tyrone Davis with "Turning Point" (1976) , by Donna Summer "I Feel Love" (1977) and "Last Dance" (1978). [13]
The success of disco records also require the support of the DJ in a discotheque in charge of song selection. Disco's popularity is also determined by a visitor on disco floors. DJ
song selection is unlikely to play again when it has failed to invite
visitors to take the floor. [11] Producers and record companies also
take the initiative with a selection of songs released LPs containing
the songs to be played in nightclubs. [12] characteristic of a disco
album is the number of songs in one album is just a little. Nonetheless, the song has a long turn to the listener to a disco for a longer time. When it was released as a single, a disco song released as a single 12-inch (30 cm LPs). The
songs played DJ at a disco in a dial-connect according to the tempo of
a match between one song and the next song tempo as the instructions
indicated on the cover. [12]
Special
dance club members called The Loft, which opened David Mancuso at his
private residence in New York City in 1970 is considered as the pioneer
of disco clubs. [19] [20] After that, disco clubs began to appear, and
not just in New York. [21] The most famous disco club in Manhattan during the late 1970s and early 1980s was a Studio 54. [22]
Among gay disco represented by the Village People who managed to create two hit songs in 1979, "In the Navy" and "Go West". Previously, gay singer Sylvester scored the hit song "You Make Me Feel (Mighty Real)" in 1978.